Daniel Wenger

Daniel Wenger is an intermedia storyteller, an educator and an arts administrator. Artistically, blending literary traditions of dadaism, cut ups and deconstruction with musical traditions of musique concrete, plunderphonics and drone, their work investigates and traces the raced, gendered and classed grammatical, syntactic, and sonic characteristics of contemporary and historical public discourse and dominant narratives. Their work has appeared or been exhibited in Hobart Pulp, Volume 1 Brooklyn, The Collagist, PANK, Birkensnake, Split Lip, Tattoo Highway, Silk Road Review, staged readings of LeAnne Howe’s “Savage Conversations” and other places. www.instagram.com/portlandartensemble/ & www.organizedvoice.org